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MLA
“André Bazin and the Politics of Sound in TOUCH OF EVIL.” Discovering Orson Welles, by Jonathan Rosenbaum, 1st ed., University of California Press, BERKELEY; LOS ANGELES; LONDON, 2007, pp. 62–66, www.jstor.org/stable/10.1525/j.ctt1pnkqg.11. Accessed 13 Apr. 2021.
APA
Rosenbaum, J. (2007). André Bazin and the Politics of Sound in TOUCH OF EVIL. In Discovering Orson Welles (pp. 62-66). BERKELEY; LOS ANGELES; LONDON: University of California Press. Retrieved April 13, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1pnkqg.11
CHICAGO
Rosenbaum, Jonathan. "André Bazin and the Politics of Sound in TOUCH OF EVIL." In Discovering Orson Welles, 62-66. BERKELEY; LOS ANGELES; LONDON: University of California Press, 2007. Accessed April 13, 2021. http://www.jstor.org/stable/10.1525/j.ctt1pnkqg.11.

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