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MLA
“‘’Taint What You Was, It’s What You Is Today’: Hallelujah and the Politics of Racial Authenticity.” Hollywood Be Thy Name: African American Religion in American Film, 1929–1949, by JUDITH WEISENFELD, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2007, pp. 19–51, www.jstor.org/stable/10.1525/j.ctt1ppxjz.6. Accessed 27 May 2020.
APA
WEISENFELD, J. (2007). “’Taint What You Was, It’s What You Is Today”: Hallelujah and the Politics of Racial Authenticity. In Hollywood Be Thy Name: African American Religion in American Film, 1929–1949 (pp. 19-51). Berkeley; Los Angeles; London: University of California Press. Retrieved May 27, 2020, from www.jstor.org/stable/10.1525/j.ctt1ppxjz.6
CHICAGO
WEISENFELD, JUDITH. "“’Taint What You Was, It’s What You Is Today”: Hallelujah and the Politics of Racial Authenticity." In Hollywood Be Thy Name: African American Religion in American Film, 1929–1949, 19-51. Berkeley; Los Angeles; London: University of California Press, 2007. Accessed May 27, 2020. www.jstor.org/stable/10.1525/j.ctt1ppxjz.6.

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