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MLA
“Violent Spectatorship: Mechanical Reproduction, the Female Voice, and the Imaginary of Intimacy.” Chanteuse in the City: The Realist Singer in French Film, by KELLEY CONWAY, 1st ed., University of California Press, BERKELEY; LOS ANGELES; LONDON, 2004, pp. 153–174, www.jstor.org/stable/10.1525/j.ctt1ppxzr.10. Accessed 13 Apr. 2021.
APA
CONWAY, K. (2004). Violent Spectatorship: Mechanical Reproduction, the Female Voice, and the Imaginary of Intimacy. In Chanteuse in the City: The Realist Singer in French Film (pp. 153-174). BERKELEY; LOS ANGELES; LONDON: University of California Press. Retrieved April 13, 2021, from http://www.jstor.org/stable/10.1525/j.ctt1ppxzr.10
CHICAGO
CONWAY, KELLEY. "Violent Spectatorship: Mechanical Reproduction, the Female Voice, and the Imaginary of Intimacy." In Chanteuse in the City: The Realist Singer in French Film, 153-74. BERKELEY; LOS ANGELES; LONDON: University of California Press, 2004. Accessed April 13, 2021. http://www.jstor.org/stable/10.1525/j.ctt1ppxzr.10.

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