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MLA
“The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films.” Film Criticism, the Cold War, and the Blacklist: Reading the Hollywood Reds, by JEFF SMITH, 1st ed., University of California Press, Berkeley; Los Angeles; London, 2014, pp. 171–196, www.jstor.org/stable/10.1525/j.ctt6wqb6x.11. Accessed 18 Apr. 2021.
APA
SMITH, J. (2014). The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films. In Film Criticism, the Cold War, and the Blacklist: Reading the Hollywood Reds (pp. 171-196). Berkeley; Los Angeles; London: University of California Press. Retrieved April 18, 2021, from http://www.jstor.org/stable/10.1525/j.ctt6wqb6x.11
CHICAGO
SMITH, JEFF. "The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films." In Film Criticism, the Cold War, and the Blacklist: Reading the Hollywood Reds, 171-96. Berkeley; Los Angeles; London: University of California Press, 2014. Accessed April 18, 2021. http://www.jstor.org/stable/10.1525/j.ctt6wqb6x.11.

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