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MLA
Neuwirth, Markus, and Pieter Bergé, editors. “FUGGIR LA CADENZA, OR THE ART OF AVOIDING CADENTIAL CLOSURE: Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire.” What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire, Leuven University Press, Leuven (Belgium), 2015, pp. 117–156, www.jstor.org/stable/j.ctt14jxt45.7. Accessed 21 Jan. 2021.
APA
FUGGIR LA CADENZA, OR THE ART OF AVOIDING CADENTIAL CLOSURE: Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire. (2015). In Neuwirth M. & Bergé P. (Eds.), What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (pp. 117-156). Leuven (Belgium): Leuven University Press. Retrieved January 21, 2021, from http://www.jstor.org/stable/j.ctt14jxt45.7
CHICAGO
"FUGGIR LA CADENZA, OR THE ART OF AVOIDING CADENTIAL CLOSURE: Physiognomy and Functions of Deceptive Cadences in the Classical Repertoire." In What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire, edited by Neuwirth Markus and Bergé Pieter, 117-56. Leuven (Belgium): Leuven University Press, 2015. Accessed January 21, 2021. http://www.jstor.org/stable/j.ctt14jxt45.7.

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