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MLA
“Ma Yongan: A Painted-Face Role Type and a Non-Painted-Face Character.” The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World, by Li Ruru and Eugenio Barba, Hong Kong University Press, Aberdeen, Hong Kong, 2010, pp. 155–188, www.jstor.org/stable/j.ctt1xwd14.12. Accessed 2 June 2020.
APA
Ruru, L., & Barba, E. (2010). Ma Yongan: A Painted-Face Role Type and a Non-Painted-Face Character. In The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (pp. 155-188). Aberdeen, Hong Kong: Hong Kong University Press. Retrieved June 2, 2020, from www.jstor.org/stable/j.ctt1xwd14.12
CHICAGO
Ruru, Li, and Eugenio Barba. "Ma Yongan: A Painted-Face Role Type and a Non-Painted-Face Character." In The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World, 155-88. Aberdeen, Hong Kong: Hong Kong University Press, 2010. Accessed June 2, 2020. www.jstor.org/stable/j.ctt1xwd14.12.

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