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MLA
“Cheng Yanqiu: Masculinity and Femininity.” The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World, by Li Ruru and Eugenio Barba, Hong Kong University Press, Aberdeen, Hong Kong, 2010, pp. 83–120, www.jstor.org/stable/j.ctt1xwd14.9. Accessed 31 May 2020.
APA
Ruru, L., & Barba, E. (2010). Cheng Yanqiu: Masculinity and Femininity. In The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World (pp. 83-120). Aberdeen, Hong Kong: Hong Kong University Press. Retrieved May 31, 2020, from www.jstor.org/stable/j.ctt1xwd14.9
CHICAGO
Ruru, Li, and Eugenio Barba. "Cheng Yanqiu: Masculinity and Femininity." In The Soul of Beijing Opera: Theatrical Creativity and Continuity in the Changing World, 83-120. Aberdeen, Hong Kong: Hong Kong University Press, 2010. Accessed May 31, 2020. www.jstor.org/stable/j.ctt1xwd14.9.

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