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MLA
“INTRODUCTION: Sociological Congruence and the Shaping of Recorded Jazz.” Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form, by Damon J. Phillips, Princeton University Press, Princeton; Oxford, 2013, pp. 1–12, www.jstor.org/stable/j.ctt2855bs.4. Accessed 12 Aug. 2020.
APA
Phillips, D. (2013). INTRODUCTION: Sociological Congruence and the Shaping of Recorded Jazz. In Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form (pp. 1-12). Princeton; Oxford: Princeton University Press. Retrieved August 12, 2020, from www.jstor.org/stable/j.ctt2855bs.4
CHICAGO
Phillips, Damon J. "INTRODUCTION: Sociological Congruence and the Shaping of Recorded Jazz." In Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form, 1-12. Princeton; Oxford: Princeton University Press, 2013. Accessed August 12, 2020. www.jstor.org/stable/j.ctt2855bs.4.

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