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MLA
“THE SOCIOLOGICAL CONGRUENCE OF RECORD COMPANY DECEPTION.” Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form, by Damon J. Phillips, Princeton University Press, Princeton; Oxford, 2013, pp. 103–119, www.jstor.org/stable/j.ctt2855bs.9. Accessed 29 May 2020.
APA
Phillips, D. (2013). THE SOCIOLOGICAL CONGRUENCE OF RECORD COMPANY DECEPTION. In Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form (pp. 103-119). Princeton; Oxford: Princeton University Press. Retrieved May 29, 2020, from www.jstor.org/stable/j.ctt2855bs.9
CHICAGO
Phillips, Damon J. "THE SOCIOLOGICAL CONGRUENCE OF RECORD COMPANY DECEPTION." In Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form, 103-19. Princeton; Oxford: Princeton University Press, 2013. Accessed May 29, 2020. www.jstor.org/stable/j.ctt2855bs.9.

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