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MLA
Freeman, Charles. “Progressive Ideals for the Opera Stage?: George W. Chadwick’s The Padrone and Frederick S. Converse’s The Immigrants.” Music and History: Bridging the Disciplines, edited by Jeffrey H. Jackson and Stanley C. Pelkey, by Michael A. Antonucci et al., University Press of Mississippi, Jackson, 2005, pp. 115–140. JSTOR, www.jstor.org/stable/j.ctt2tvch7.10. Accessed 15 July 2020.
APA
Freeman, C. (2005). Progressive Ideals for the Opera Stage?: George W. Chadwick’s The Padrone and Frederick S. Converse’s The Immigrants. In Antonucci M., Davis J., Jeffries H., Kramer M., Levine L., Lyne S., et al. (Authors) & Jackson J. & Pelkey S. (Eds.), Music and History: Bridging the Disciplines (pp. 115-140). Jackson: University Press of Mississippi. Retrieved July 15, 2020, from www.jstor.org/stable/j.ctt2tvch7.10
CHICAGO
Freeman, Charles. "Progressive Ideals for the Opera Stage?: George W. Chadwick’s The Padrone and Frederick S. Converse’s The Immigrants." In Music and History: Bridging the Disciplines, edited by Jackson Jeffrey H. and Pelkey Stanley C., by Antonucci Michael A., Davis James A., Jeffries Helen Marsh, Kramer Michael J., Levine Lawrence W., Lyne Sandra, Mason Laura, Peretti Burton W., Potter Dorothy, Weber William, and Burrows Donald, 115-40. Jackson: University Press of Mississippi, 2005. Accessed July 15, 2020. www.jstor.org/stable/j.ctt2tvch7.10.

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