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MLA
SANJEK, DAVID. “Foreword: Muddying the Clear Water The Dubious Transparency of Country Music.” A Boy Named Sue: Gender and Country Music, edited by Kristine M. McCusker and Diane Pecknold, by MICHAEL BERTRAND et al., University Press of Mississippi, JACKSON, 2004, pp. vii-xvi, www.jstor.org/stable/j.ctt2tvkc0.3. Accessed 7 June 2020.
APA
SANJEK, D. (2004). Foreword: Muddying the Clear Water The Dubious Transparency of Country Music. In BERTRAND M., CHING B., JENSEN J., KEEL B., LA CHAPELLE P., McCUSKER K., et al. (Authors) & McCusker K. & Pecknold D. (Eds.), A Boy Named Sue: Gender and Country Music (pp. Vii-Xvi). JACKSON: University Press of Mississippi. Retrieved June 7, 2020, from www.jstor.org/stable/j.ctt2tvkc0.3
CHICAGO
SANJEK, DAVID. "Foreword: Muddying the Clear Water The Dubious Transparency of Country Music." In A Boy Named Sue: Gender and Country Music, edited by McCusker Kristine M. and Pecknold Diane, by BERTRAND MICHAEL, CHING BARBARA, JENSEN JOLI, KEEL BEVERLY, LA CHAPELLE PETER, McCUSKER KRISTINE M., NEAL JOCELYN R., NEELY EMILY C., PECKNOLD DIANE, and WOLFE CHARLES, Vii-Xvi. JACKSON: University Press of Mississippi, 2004. Accessed June 7, 2020. www.jstor.org/stable/j.ctt2tvkc0.3.

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