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MLA
“Music after the Revolution: A ‘Unified Contradiction.’” Sounding Out Heritage: Cultural Politics and the Social Practice OfQuan Họ Folk Song in Northern Vietnam, by LAUREN MEEKER, University of Hawai'i Press, Honolulu, 2013, pp. 21–43, www.jstor.org/stable/j.ctt6wqt9n.5. Accessed 17 Apr. 2021.
APA
MEEKER, L. (2013). Music after the Revolution: A “Unified Contradiction”. In Sounding Out Heritage: Cultural Politics and the Social Practice ofQuan Họ Folk Song in Northern Vietnam (pp. 21-43). Honolulu: University of Hawai'i Press. Retrieved April 17, 2021, from http://www.jstor.org/stable/j.ctt6wqt9n.5
CHICAGO
MEEKER, LAUREN. "Music after the Revolution: A “Unified Contradiction”." In Sounding Out Heritage: Cultural Politics and the Social Practice OfQuan Họ Folk Song in Northern Vietnam, 21-43. Honolulu: University of Hawai'i Press, 2013. Accessed April 17, 2021. http://www.jstor.org/stable/j.ctt6wqt9n.5.

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