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MLA
“The Fifties: Nostalgia’s Privileged Object and the Origins of Its Dominant American Strain.” Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film, by Christine Sprengler, NED - New edition, 1 ed., Berghahn Books, New York; Oxford, 2009, pp. 39–66, www.jstor.org/stable/j.ctt9qdbm4.7. Accessed 2 Dec. 2020.
APA
Sprengler, C. (2009). The Fifties: Nostalgia’s Privileged Object and the Origins of its Dominant American Strain. In Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film (pp. 39-66). New York; Oxford: Berghahn Books. Retrieved December 2, 2020, from http://www.jstor.org/stable/j.ctt9qdbm4.7
CHICAGO
Sprengler, Christine. "The Fifties: Nostalgia’s Privileged Object and the Origins of Its Dominant American Strain." In Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film, 39-66. New York; Oxford: Berghahn Books, 2009. Accessed December 2, 2020. http://www.jstor.org/stable/j.ctt9qdbm4.7.

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