Cite This Item

Copy Citation

MLA
“THOROUGHBASS AS MUSIC THEORY.” Partimento and Continuo Playing in Theory and in Practice, by Thomas Christensen et al., Leuven University Press, Leuven (Belgium), 2010, pp. 9–42, www.jstor.org/stable/j.ctt9qdxdv.4. Accessed 24 Jan. 2021.
APA
Christensen, T., Gjerdingen, R., Sanguinetti, G., & Lutz, R. (2010). THOROUGHBASS AS MUSIC THEORY. In Partimento and Continuo Playing in Theory and in Practice (pp. 9-42). Leuven (Belgium): Leuven University Press. Retrieved January 24, 2021, from http://www.jstor.org/stable/j.ctt9qdxdv.4
CHICAGO
Christensen, Thomas, Robert Gjerdingen, Giorgio Sanguinetti, and Rudolf Lutz. "THOROUGHBASS AS MUSIC THEORY." In Partimento and Continuo Playing in Theory and in Practice, 9-42. Leuven (Belgium): Leuven University Press, 2010. Accessed January 24, 2021. http://www.jstor.org/stable/j.ctt9qdxdv.4.

Export Citation

Export a RIS file (For EndNote, ProCite, Reference Manager, Zotero, Mendeley…)
Export a Text file (For BibTex)
Note: Always review your references and make any necessary corrections before using. Pay attention to names, capitalization, and dates.