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MLA
Forment, Bruno. “Music-Making Ghosts: Eighteenth-Century Rome as Operatic Memory Machine.” Music and the City: Musical Cultures and Urban Societies in the Southern Netherlands and Beyond, C.1650–1800, edited by Stefanie Beghein et al., Leuven University Press, Leuven (Belgium), 2013, pp. 59–78, www.jstor.org/stable/j.ctt9qdzm6.6. Accessed 30 Oct. 2020.
APA
Forment, B. (2013). Music-making ghosts: Eighteenth-century Rome as operatic memory machine. In Beghein S., Blondé B., & Schreurs E. (Eds.), Music and the City: Musical Cultures and Urban Societies in the Southern Netherlands and Beyond, c.1650–1800 (pp. 59-78). Leuven (Belgium): Leuven University Press. Retrieved October 30, 2020, from http://www.jstor.org/stable/j.ctt9qdzm6.6
CHICAGO
Forment, Bruno. "Music-making Ghosts: Eighteenth-century Rome as Operatic Memory Machine." In Music and the City: Musical Cultures and Urban Societies in the Southern Netherlands and Beyond, C.1650–1800, edited by Beghein Stefanie, Blondé Bruno, and Schreurs Eugeen, 59-78. Leuven (Belgium): Leuven University Press, 2013. Accessed October 30, 2020. http://www.jstor.org/stable/j.ctt9qdzm6.6.

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