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MLA
“After Sa-i-Ku: Korean American Hip-Hop since the Rodney King Uprising.” California Polyphony: Ethnic Voices, Musical Crossroads, by MINA YANG, University of Illinois Press, URBANA; CHICAGO, 2008, pp. 118–136, www.jstor.org/stable/10.5406/j.ctt1xcn9x.10. Accessed 4 June 2020.
APA
YANG, M. (2008). After Sa-i-ku: Korean American Hip-Hop since the Rodney King Uprising. In California Polyphony: Ethnic Voices, Musical Crossroads (pp. 118-136). URBANA; CHICAGO: University of Illinois Press. Retrieved June 4, 2020, from www.jstor.org/stable/10.5406/j.ctt1xcn9x.10
CHICAGO
YANG, MINA. "After Sa-i-ku: Korean American Hip-Hop since the Rodney King Uprising." In California Polyphony: Ethnic Voices, Musical Crossroads, 118-36. URBANA; CHICAGO: University of Illinois Press, 2008. Accessed June 4, 2020. www.jstor.org/stable/10.5406/j.ctt1xcn9x.10.

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