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MLA
“ECHO AND HUM: DEATH’S ACOUSTIC SPACE IN THE EARLY SOUND FILM.” Deathwatch: American Film, Technology, and the End of Life, by C. SCOTT COMBS, Columbia University Press, NEW YORK, 2014, pp. 103–142, www.jstor.org/stable/10.7312/comb16346.7. Accessed 30 May 2020.
APA
COMBS, C. (2014). ECHO AND HUM: DEATH’S ACOUSTIC SPACE IN THE EARLY SOUND FILM. In Deathwatch: American Film, Technology, and the End of Life (pp. 103-142). NEW YORK: Columbia University Press. Retrieved May 30, 2020, from www.jstor.org/stable/10.7312/comb16346.7
CHICAGO
COMBS, C. SCOTT. "ECHO AND HUM: DEATH’S ACOUSTIC SPACE IN THE EARLY SOUND FILM." In Deathwatch: American Film, Technology, and the End of Life, 103-42. NEW YORK: Columbia University Press, 2014. Accessed May 30, 2020. www.jstor.org/stable/10.7312/comb16346.7.

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