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MLA
Morgan, Daniel. “ON HISTORICAL VIOLENCE AND AESTHETIC FORM: JEAN-LUC GODARD’S ALLEMAGNE 90 NEUF ZÉRO.” Killer Images: Documentary Film, Memory, and the Performance of Violence, edited by JORAM TEN BRINK and JOSHUA OPPENHEIMER, Columbia University Press, LONDON; NEW YORK, 2012, pp. 152–166, www.jstor.org/stable/10.7312/ten-16334.15. Accessed 11 Aug. 2020.
APA
Morgan, D. (2012). ON HISTORICAL VIOLENCE AND AESTHETIC FORM: JEAN-LUC GODARD’S ALLEMAGNE 90 NEUF ZÉRO. In BRINK J. & OPPENHEIMER J. (Eds.), Killer Images: Documentary Film, Memory, and the Performance of Violence (pp. 152-166). LONDON; NEW YORK: Columbia University Press. Retrieved August 11, 2020, from www.jstor.org/stable/10.7312/ten-16334.15
CHICAGO
Morgan, Daniel. "ON HISTORICAL VIOLENCE AND AESTHETIC FORM: JEAN-LUC GODARD’S ALLEMAGNE 90 NEUF ZÉRO." In Killer Images: Documentary Film, Memory, and the Performance of Violence, edited by BRINK JORAM TEN and OPPENHEIMER JOSHUA, 152-66. LONDON; NEW YORK: Columbia University Press, 2012. Accessed August 11, 2020. www.jstor.org/stable/10.7312/ten-16334.15.

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