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MLA
“Polemics and Publicity: Composer-Critic Partnerships.” Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939, by Barbara L. Kelly, NED - New edition ed., Boydell and Brewer, Woodbridge, Suffolk; Rochester, NY, 2013, pp. 67–94, www.jstor.org/stable/10.7722/j.ctt14brr0d.10. Accessed 6 June 2020.
APA
Kelly, B. (2013). Polemics and Publicity: Composer-Critic Partnerships. In Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939 (pp. 67-94). Woodbridge, Suffolk; Rochester, NY: Boydell and Brewer. Retrieved June 6, 2020, from www.jstor.org/stable/10.7722/j.ctt14brr0d.10
CHICAGO
Kelly, Barbara L. "Polemics and Publicity: Composer-Critic Partnerships." In Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939, 67-94. Woodbridge, Suffolk; Rochester, NY: Boydell and Brewer, 2013. Accessed June 6, 2020. www.jstor.org/stable/10.7722/j.ctt14brr0d.10.

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