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MLA
“Mother’s Body, Daughter’s Voice: Female Genealogy, Invasión and Cinema in La Mirada De Myriam.” Painting, Literature and Film in Colombian Feminine Culture, 1940-2005: Of Border Guards, Nomads and Women, by DEBORAH MARTIN, vol. 307, Boydell and Brewer, TAMESIS, 2012, pp. 162–173, www.jstor.org/stable/10.7722/j.ctt1x73tb.15. Accessed 26 Feb. 2021.
APA
MARTIN, D. (2012). Mother’s Body, Daughter’s Voice: Female Genealogy, Invasión and Cinema in La Mirada de Myriam. In Painting, Literature and Film in Colombian Feminine Culture, 1940-2005: Of Border Guards, Nomads and Women (pp. 162-173). TAMESIS: Boydell and Brewer. Retrieved February 26, 2021, from http://www.jstor.org/stable/10.7722/j.ctt1x73tb.15
CHICAGO
MARTIN, DEBORAH. "Mother’s Body, Daughter’s Voice: Female Genealogy, Invasión and Cinema in La Mirada De Myriam." In Painting, Literature and Film in Colombian Feminine Culture, 1940-2005: Of Border Guards, Nomads and Women, 162-73. TAMESIS: Boydell and Brewer, 2012. Accessed February 26, 2021. http://www.jstor.org/stable/10.7722/j.ctt1x73tb.15.

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