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MLA
“An Integrated ‘Dissonance’: Mozart’s ‘Haydn’ Quartets and the Slow Introduction of K. 465.” Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention, by Simon P. Keefe, Boydell and Brewer, Woodbridge, Suffolk, UK; Rochester, NY, USA, 2007, pp. 89–104, www.jstor.org/stable/10.7722/j.ctt81f2b.10. Accessed 1 Dec. 2020.
APA
Keefe, S. (2007). An Integrated ‘Dissonance’: Mozart’s ‘Haydn’ Quartets and the Slow Introduction of K. 465. In Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention (pp. 89-104). Woodbridge, Suffolk, UK; Rochester, NY, USA: Boydell and Brewer. Retrieved December 1, 2020, from http://www.jstor.org/stable/10.7722/j.ctt81f2b.10
CHICAGO
Keefe, Simon P. "An Integrated ‘Dissonance’: Mozart’s ‘Haydn’ Quartets and the Slow Introduction of K. 465." In Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention, 89-104. Woodbridge, Suffolk, UK; Rochester, NY, USA: Boydell and Brewer, 2007. Accessed December 1, 2020. http://www.jstor.org/stable/10.7722/j.ctt81f2b.10.

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