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MLA
“‘A Sad Optimism, the Happiness of the Resigned’: Extremes of Operatic Expression in the 1930s.” Opera and Ideology in Prague: Polemics and Practice at the National Theater, 1900-1938, by BRIAN S. LOCKE, vol. 39, Boydell and Brewer, Rochester, NY, USA; Woodbridge, Suffolk, UK, 2006, pp. 300–325, www.jstor.org/stable/10.7722/j.ctt81trv.17. Accessed 19 Jan. 2021.
APA
LOCKE, B. (2006). “A Sad Optimism, the Happiness of the Resigned”: Extremes of Operatic Expression in the 1930s. In Opera and Ideology in Prague: Polemics and Practice at the National Theater, 1900-1938 (pp. 300-325). Rochester, NY, USA; Woodbridge, Suffolk, UK: Boydell and Brewer. Retrieved January 19, 2021, from http://www.jstor.org/stable/10.7722/j.ctt81trv.17
CHICAGO
LOCKE, BRIAN S. "“A Sad Optimism, the Happiness of the Resigned”: Extremes of Operatic Expression in the 1930s." In Opera and Ideology in Prague: Polemics and Practice at the National Theater, 1900-1938, 300-25. Rochester, NY, USA; Woodbridge, Suffolk, UK: Boydell and Brewer, 2006. Accessed January 19, 2021. http://www.jstor.org/stable/10.7722/j.ctt81trv.17.

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