Cite This Item

Copy Citation

MLA
SCHMIDT-BIGGEMANN, WILHELM. “The Dialectic of the Absolute Beginning.: On a Copper Engraving in Heinrich Khunrath’s Amphitheatrum Sapientiae Aeternae.” Turning Traditions Upside Down: Rethinking Giordano Bruno's Enlightenment, edited by HENNING HUFNAGEL and ANNE EUSTERSCHULTE, Central European University Press, Budapest; New York, 2013, pp. 199–220, www.jstor.org/stable/10.7829/j.ctt5hgznv.16. Accessed 12 Aug. 2020.
APA
SCHMIDT-BIGGEMANN, W. (2013). The Dialectic of the Absolute Beginning.: On a Copper Engraving in Heinrich Khunrath’s Amphitheatrum Sapientiae Aeternae. In HUFNAGEL H. & EUSTERSCHULTE A. (Eds.), Turning Traditions Upside Down: Rethinking Giordano Bruno's Enlightenment (pp. 199-220). Budapest; New York: Central European University Press. Retrieved August 12, 2020, from www.jstor.org/stable/10.7829/j.ctt5hgznv.16
CHICAGO
SCHMIDT-BIGGEMANN, WILHELM. "The Dialectic of the Absolute Beginning.: On a Copper Engraving in Heinrich Khunrath’s Amphitheatrum Sapientiae Aeternae." In Turning Traditions Upside Down: Rethinking Giordano Bruno's Enlightenment, edited by HUFNAGEL HENNING and EUSTERSCHULTE ANNE, 199-220. Budapest; New York: Central European University Press, 2013. Accessed August 12, 2020. www.jstor.org/stable/10.7829/j.ctt5hgznv.16.

Export Citation

Export a RIS file (For EndNote, ProCite, Reference Manager, Zotero, Mendeley…)
Export a Text file (For BibTex)
Note: Always review your references and make any necessary corrections before using. Pay attention to names, capitalization, and dates.