@book{10.2307/j.ctt1npstn,
 ISBN = {9780300117653},
 URL = {http://www.jstor.org/stable/j.ctt1npstn},
 abstract = {French opera is second only to Italian opera in the length, breadth, and diversity of its history. Yet most people, if asked to come up with titles, could mention only a handful of titles-Carmen,Faust,Pelleas et Melisande,Samson et Dalila-a small list for an operatic tradition that began in the seventeenth century and is still very much alive. This book provides a full, single-volume account of opera in France from its origins to the present day.Vincent Giroud looks at the leading composers, from Lully to Messiaen and beyond; at the development of French operatic form and style; at performance, performers, and audience; and at the impact of French opera beyond France's borders. Lovers of opera will find this an ideal companion to their appreciation of the form.},
 author = {VINCENT GIROUD},
 publisher = {Yale University Press},
 title = {French Opera: A Short History},
 year = {2010}
}