@inbook{10.2307/j.ctt2tvch7.4,
 ISBN = {9781578067626},
 URL = {http://www.jstor.org/stable/j.ctt2tvch7.4},
 abstract = {Over three decades ago I wrote an article entitled: “The Historian and the Culture Gap.” It was concerned with the charge, which began to surface with particular force in the 1960s, that certain historians from particular cultures could not really understand and do historical justice to people from certain other cultures. In his Presidential address to the American Historical Association in December, 1962, Carl Bridenbaugh told those young American historians who were “products of lower middle-class or foreign origins” that they were “outsiders on our past and . . . have no experience to assist them,” which “will make it},
 author = {Lawrence W. Levine and Michael A. Antonucci and James A. Davis and Charles Freeman and Helen Marsh Jeffries and Michael J. Kramer and Sandra Lyne and Laura Mason and Burton W. Peretti and Dorothy Potter and William Weber and Donald Burrows},
 booktitle = {Music and History: Bridging the Disciplines},
 pages = {3--20},
 publisher = {University Press of Mississippi},
 title = {The Musical Odyssey of an American Historian},
 year = {2005}
}