@inbook{10.2307/j.ctt46mxfd.5,
 ISBN = {9789053566336},
 URL = {http://www.jstor.org/stable/j.ctt46mxfd.5},
 abstract = {In his evocative and modestly tempered account of the complex nature of the relationships formed between Parisians and their German occupiers during the Second World War, Richard Cobb rightly seeks to demonstrate the range of feelings available within the framework of this situation. Instead of painting a picture which conveys an unambiguous clash between the values of lightness and dark; he argues that, certainly at the metropolitan level, “relations betweenoccupantsandoccupéswere obscured, twisted and complicated by all sorts of nuances of personal relations, ranging from mutual trust to a jarring acrimony” (1983, 60). This question of cultural},
 bookauthor = {Alastair Phillips},
 booktitle = {City of Darkness, City of Light: Emigré Filmmakers in Paris 1929-1939},
 pages = {21--72},
 publisher = {Amsterdam University Press},
 title = {The City in Context},
 year = {2004}
}