@inbook{10.2307/j.ctt5hhwx7.4,
 ISBN = {9780813543277},
 URL = {http://www.jstor.org/stable/j.ctt5hhwx7.4},
 abstract = {Late in June of 1982, in a mumbling crowd, and daydreaming about the stars, I followed two nine- or ten-year-old boys out of a screening ofE.T. the Extra-Terrestrial. As we hit the cold light of day and turned onto the sidewalk outside the theater, one said to the other, rather drily, I thought, “Good directing.” “Yeah,” said his friend, “and excellent cinematography.” For the “Wow!” I waited, but it never came. Now, it is easy to imagine these two as recent Ph.D.s in cinema studies, still, perhaps—I hope not!—holding back that “Wow!”It seems necessary to take},
 bookauthor = {Murray Pomerance},
 booktitle = {The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory},
 pages = {1--9},
 publisher = {Rutgers University Press},
 title = {OVERTURE},
 year = {2008}
}