@inbook{10.2307/j.ctt5hjkt5.8,
 ISBN = {9780812245608},
 URL = {http://www.jstor.org/stable/j.ctt5hjkt5.8},
 abstract = {Appearing in a thirteenth-century Buddhist anthology,Fozu tongji(The Complete Records of the Buddhas and Patriarchs), this passage describes the reenactment of King Aśoka’s (r. ca. 273–232 BCE) legendary building of the eighty-four thousand stūpas in the tenth century by Qian (Hong)chu (928–988; r. 947–978), the last king of Wuyue Kingdom (907–978).¹ This historic event is well documented in an array of literary sources, and modern scholars now refer to the artifact as “Gilt Stūpa” (jintu ta), or “Stūpa of the Precious Chest Mudrā” (baoqieyin ta), or even “Aśoka Stūpa”(Ayuwang ta).² In the twentieth century,},
 author = {Shi Zhiru},
 booktitle = {India in the Chinese Imagination: Myth, Religion, and Thought},
 pages = {83--109},
 publisher = {University of Pennsylvania Press},
 title = {From Bodily Relic to Dharma Relic Stūpa: Chinese Materialization of the Aśoka Legend in the Wuyue Period},
 year = {2014}
}