@inbook{10.2307/j.ctt9qcx52.6,
 ISBN = {9781782382904},
 URL = {http://www.jstor.org/stable/j.ctt9qcx52.6},
 abstract = {Odo Marquard (2001: 50) has noted that it was ‘shortly after 1750 that the modern concept of progress and the first museums’ were formed. Like Hermann Lübbe (1989), Marquard understands the development of the idea of the museum to be a compensatory history. The turn to the old, that is, to the observation of past times, materials and practices, is a form of compensation for the loss of a lifeworld overwhelmed by industrialisation, economisation and the progressive acceleration of life. According to Lübbe (1989: 25), the museum is, ‘to begin with, a means of salvaging cultural remnants from processes of},
 bookauthor = {Wolfram Kaiser and Stefan Krankenhagen and Kerstin Poehls},
 booktitle = {Exhibiting Europe in Museums: Transnational Networks, Collections, Narratives, and Representations},
 edition = {1},
 pages = {15--32},
 publisher = {Berghahn Books},
 title = {Musealising Europe: Compensation, Negotiation and the Conquest of the Future},
 year = {2014}
}