@inbook{10.7722/j.ctt13wztdh.19,
 ISBN = {9781855662926},
 URL = {http://www.jstor.org/stable/10.7722/j.ctt13wztdh.19},
 abstract = {My history with Lorca goes back a long way. He has always captivated me, always given me pleasure, always taken me by surprise, and I have always used him as a reference point for my understanding of theater. And yet never in my thirty long years as a woman of the boards had I had the opportunity to put one of his best-known dramatic texts on its feet (though I’ve kept it on my night table as my own private bible).When I turned twelve, my uncle gave me as a gift the Aguilar edition of lorca’s complete works: three},
 author = {Amaya Curieses Iriarte and Harley Erdman},
 booktitle = {Remaking the Comedia: Spanish Classical Theater in Adaptation},
 edition = {NED - New edition},
 pages = {117--122},
 publisher = {Boydell and Brewer},
 title = {El caballero de Olmedo: Los Barracos’s Baroque Gentleman},
 year = {2015}
}