@inbook{10.7722/j.ctt9qdnfr.5,
 ISBN = {9781855661462},
 URL = {http://www.jstor.org/stable/10.7722/j.ctt9qdnfr.5},
 abstract = {Until the publication of the earliest writings of the young Federico García Lorca, between 1994 and 1996, it would have been impossible to comprehend the consistency with which the poet returned again and again to the same sentiment of placing metaphysical Love over carnal desire.³ Concerning the works of the poet’s juvenilia, prominent Lorca scholars are univocal in identifying in these writings the enduring subjects of García Lorca’s opus. Writing about the early theatre works, Héctor Urzáiz Tortajada finds ‘las principales señas de identidad de su teatro’. He continues: ‘Muchas de estas obras dan un inicio claro de la persistencia},
 author = {PAUL McDERMID},
 booktitle = {Love, Desire and Identity in the Theatre of Federico García Lorca},
 edition = {NED - New edition},
 pages = {9--34},
 publisher = {Boydell and Brewer},
 title = {Jesus of Love: The Profane Passion and Holy Spirit of The Young Poet’s Cristo},
 year = {2007}
}