@inbook{10.7722/j.ctt9qdnxh.6,
 ISBN = {9781855661110},
 URL = {http://www.jstor.org/stable/10.7722/j.ctt9qdnxh.6},
 abstract = {Unsurprisingly, theatre of agitation propaganda does not exist to any great extent in the post-war Francoist period. The successful establishment of the New State, and its longevity, ensured that the audience for agit-prop theatre was reduced, if not entirely eliminated. Many of those who had been at the forefront of the theatre of agitation movement were dead, imprisoned or exiled in the aftermath of the Nationalist victory. Those who remained were unwilling or unable to mount a similar challenge to the new regime. Not only that, but in the immediate aftermath of the Civil War, as London notes, the theatre},
 bookauthor = {Catherine O’Leary},
 booktitle = {The Theatre of Antonio Buero Vallejo: Ideology, Politics and Censorship},
 edition = {NED - New edition},
 pages = {51--67},
 publisher = {Boydell and Brewer},
 title = {Language and Silence},
 year = {2005}
}