@inbook{10.7722/j.ctt9qdp3c.6,
 ISBN = {9781855661233},
 URL = {http://www.jstor.org/stable/10.7722/j.ctt9qdp3c.6},
 abstract = {El Sur[The South] andBene, two short texts published in one volume, launched Adelaida García Morales on her very successful career. Despite their brevity (El Suris only 52 pages long andBene58), they already contain much of what would come to be identifiable as this author’s hallmarks, many of which this study is arguing can be subsumed under the umbrella term of Gothic features.² Whether it was for the convenience of the publishers or in obedience to a desire on the author’s part to present the texts as linked, the result is thatEl Sur, seguido de},
 bookauthor = {ABIGAIL LEE SIX},
 booktitle = {The Gothic Fiction of Adelaida García Morales: Haunting Words},
 edition = {NED - New edition},
 pages = {7--25},
 publisher = {Boydell and Brewer},
 title = {El Sur, seguido de Bene (1985) and Oscar Wilde, The Picture of Dorian Gray (1890/1891): Physical and Moral Decay},
 year = {2006}
}