Founded in 2005 by Kate Bernheimer, Fairy Tale Review is an annual literary journal dedicated to publishing new fairy tales and to helping raise public awareness of fairy tales as a diverse, innovative art form. Work from Fairy Tale Review has been selected for inclusion in The O. Henry Prize Stories Anthology, Best New American Voices, Best American Fantasy, and listed as “Notable” in Best American Short Stories, among other honors. Fairy Tale Review is edited by MFA students enrolled in the Program in Creative Writing at the University of Arizona in Tucson.
Wayne State University Press is a distinctive urban publisher committed to supporting its parent institution’s core research, teaching, and service mission by generating high quality scholarly and general interest works of global importance. Through its publishing program, the Press disseminates research, advances education, and serves the local community while expanding the international reputation of the Press and the University.
This item is part of a JSTOR Collection.
For terms and use, please refer to our Terms and Conditions
Copyright 2017 Wayne State University Press
Request Permissions