Stop the Presses! I Want to Get Off!
Stop the Presses! I Want to Get Off!: A Brief History of the Prisoners’ Digest International
JOSEPH W. GRANT
EDITED BY KEN WACHSBERGER
Series: Voices from the Underground
Copyright Date: 2012
Published by: Michigan State University Press
https://www.jstor.org/stable/10.14321/j.ctt7zt4ss
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Book Info
Stop the Presses! I Want to Get Off!
Book Description:

The final book in the groundbreaking Voices from the Underground series,Stop the Presses! I Want to Get Off!, is the inspiring, frenetic, funny, sad, always-cash-starved story of Joe Grant, founder and publisher ofPrisoners' Digest International, the most important prisoners' rights underground newspaper of the Vietnam era. From Grant's military days in pre-Revolutionary Cuba during the Korean War, to his time as publisher of a pro-union newspaper in Cedar Rapids and his eventual imprisonment in Leavenworth, Kansas, Grant's personal history is a testament to the power of courage under duress. One of the more notorious federal penitentiaries in the nation, Leavenworth inspired Grant to foundPDIin an effort to bring hope to prisoners and their families nationwide.

eISBN: 978-1-60917-346-3
Subjects: History, Language & Literature
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  1. Front Matter
    Front Matter (pp. i-vi)
  2. Table of Contents
    Table of Contents (pp. vii-x)
  3. Foreword
    Foreword (pp. xi-xii)
    MUMIA ABU–JAMAL

    It would be sheer understatement for me to praise Joe Grant’s prison bio as “groundbreaking,” “moving,” or “eye-opening.” It is all these things, but certainly much more.

    It is history, as told by a talented raconteur, to be sure. But it is more.

    It isjournalism.

    Joseph W. Grant (or, the man formerly known as prisoner #84219, FCI Leavenworth) has completed a work of history, first-person, of the days when the imprisoned were known as “prisoners,” not “inmates.” Notably, the latter term rarely enters his narrative. He writes sparely, with a sense of humor that is both understated and delightful...

  4. Editor’s Preface
    Editor’s Preface (pp. xiii-xx)
    KEN WACHSBERGER
  5. Introduction
    Introduction (pp. xxi-xxiv)
    JOSEPH W. GRANT

    The courage that the four-volume Voices from the Underground Series celebrates is ancient. That it details the times of our lives is happenstance. The writers included in this series fought the Vietnam-era war machine with an assault of words and actions that weakened the walls of exclusion and secrecy our own government had erected, and exposed its military machinations.

    My time in the military, the U.S. Navy, was during the Korean War. It was then, during the early fifties, that Cuban revolutionaries, when referring to me and everyone in the U.S. military, introduced me to the term “Uniformed Assassins.”

    Many...

  6. Stop the Presses! I Want to Get Off!: A Brief History of the Prisoners’ Digest International
    Stop the Presses! I Want to Get Off!: A Brief History of the Prisoners’ Digest International (pp. 3-200)

    Penal Digest International.The PDI. A newspaper with two purposes: to provide prisoners with a voice that prison authorities could not silence, and to establish lines of communication between prisoners and people in the free world. At one point the staff chose to change “Penal” to “Prisoners” and we became thePrisoners’ Digest International.But,PenalorPrisoners,we were the PDI.

    Over forty years have passed since the idea forPrisoners’ Digest Internationalbegan to take shape. I was a prisoner in the federal penitentiary at Leavenworth, Kansas, at the time. You’ve heard of Leavenworth—one of the end-of-the-line...

  7. Into the Future: Rambling Thoughts as I Bring This Story Up to Date
    Into the Future: Rambling Thoughts as I Bring This Story Up to Date (pp. 203-212)

    Leaving the PDI, the commune, and the Georgeville Community Project to reenter the world of 9 to 5 was far more difficult than I imagined it would be.

    It didn’t take long to learn about job openings. Bob Beecroft, with Mutual Radio in D.C., called me with a description of a job with an organization called Offender Aid and Restoration (OAR) in Charlottesville, Virginia. They flew me to D.C. to meet the board of directors. They knew everything about me. I knew nothing about them. Once again it seemed I had to live with a reputation that I knew what...

  8. Afterword
    Afterword (pp. 213-216)
    PAUL WRIGHT

    The United States has had prison publications almost as long as it has had prisons. There are two types of prison publications: the “in-house” prison press, which is published and supported by the state while prisoners are the nominal writers and editors, and which is often the de facto press office for the warden; and the independent prison magazines and newsletters written and published by prisoners with no government support, and which are sometimes critical of the prison and jail regime.

    Some of the government-run prison magazines have achieved public acclaim beyond the prison walls, such as theAngolitein...

  9. About the Authors
    About the Authors (pp. 217-218)
  10. Index
    Index (pp. 219-233)
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