The Fayre Formez of the Pearl Poet
The Fayre Formez of the Pearl Poet
Sandra Pierson Prior
Copyright Date: 1996
Published by: Michigan State University Press
Pages: 265
https://www.jstor.org/stable/10.14321/j.ctt7zt66g
Search for reviews of this book
Book Info
The Fayre Formez of the Pearl Poet
Book Description:

This book differs from most previous studies of the Pearl poet by treating all of his works as a whole. Prior's purpose is to identify the underlying poetics of this major body of English poetry. Drawing on both the visual imagery of medieval art (the study includes 18 full-page illustrations) and the verbal imagery of the Bible and other literary sources, Prior shows how the poet's "fayre formez" are the result of a coherent and self-conscious view of the artist's craft.

eISBN: 978-0-87013-945-1
Subjects: Language & Literature
You do not have access to this book on JSTOR. Try logging in through your institution for access.
Log in to your personal account or through your institution.
Table of Contents
Export Selected Citations Export to NoodleTools Export to RefWorks Export to EasyBib Export a RIS file (For EndNote, ProCite, Reference Manager, Zotero, Mendeley...) Export a Text file (For BibTex)
Select / Unselect all
  1. Front Matter
    Front Matter (pp. i-vi)
  2. Table of Contents
    Table of Contents (pp. vii-viii)
  3. ILLUSTRATIONS
    ILLUSTRATIONS (pp. ix-x)
  4. ABBREVIATIONS
    ABBREVIATIONS (pp. xi-xii)
  5. PREFACE
    PREFACE (pp. xiii-xiv)
  6. INTRODUCTION Fayre Formez in a Medieval Christian Poet
    INTRODUCTION Fayre Formez in a Medieval Christian Poet (pp. 1-20)

    In this study I aim to define and describe the poetics of a major medieval poet, a poet who is a skilled and careful craftsman, who writes primarily about biblical subjects, and who explicitly concerns himself with the truth of Christianity and the problems of fulfilling God’s will. Because I am primarily interested in the Pearl poet’s art and its forms, I do not draw on social, political, or economic contexts, although there are places in his poetry when such might be valid, and there are aspects of his work that have been successfully explored in such terms.¹ I often...

  7. ONE The Lombe and His Meyny Schene: Signs of God in Pearl and the Apocalypse
    ONE The Lombe and His Meyny Schene: Signs of God in Pearl and the Apocalypse (pp. 21-66)

    In the Pearl poet’s works the actual images of God Himself are rare – like the Bible, the poems of Cotton Nero A. x. avoid direct theophany, althoughPearlandCleannessoffer images of the experience of theophany (not theophany itself) and promise the beatific vision as a reward awaiting us in the world beyond. On the other hand, images of God’s kingdom, hiscortor theLombe’s meyny,to use two of the Pearl poet’s terms, are central to the poemsPearlandCleannessand stand behind the assumptions in the other two,PatienceandSir Gawain and the Green...

  8. TWO Signs of the Divine in Cleanness, Patience, and Sir Gawain and the Green Knight
    TWO Signs of the Divine in Cleanness, Patience, and Sir Gawain and the Green Knight (pp. 67-118)

    Pearlprovides the most visual and the most apocalyptic images of the divine found in the Pearl poet’s works. The other three poems are less explicitly and less exclusively concerned with theformezof God and his kingdom. Indeed, when taken in their respective order in the manuscript, the latter three poems move progressively further and further away from visualized and apocalyptic images of the divine.Cleannessis in many ways the most apocalyptic of the poems afterPearl.While picking up on the figures of the Wedding Feast, with references to the “frelych feste” (162) to which many are...

  9. THREE Formez of Sacred History in Cleanness and Patience
    THREE Formez of Sacred History in Cleanness and Patience (pp. 119-158)

    In the previous chapters I have been concentrating on the poet’s use offormezas visual and verbal signs. In addition to these meanings in the context of semiotics, the termfayre formezmust refer as well to the outlines and rhetorical structures of discourse – such is the more obvious use of the term in the context of rhetoric, and such is the primary meaning offayre formezin the opening lines ofCleanness.¹ Althoughfayre formezshould not be translated simply asexempla, exempladoes constitute one aspect of the rhetoricians’ broader meaning forformez,a meaning which includes...

  10. FOUR The Fayre Formez of Pearl and Sir Gawain and the Green Knight
    FOUR The Fayre Formez of Pearl and Sir Gawain and the Green Knight (pp. 159-204)

    WhileCleannessandPatience,the two of the Pearl poet’s works that are set in the biblical past, are fittingly in theformezof sacred history, the other two poems,PearlandSir Gawain and the Green Knight,which are set in non-biblical, post-incarnation time, are structured according to theformezof dream vision and romance, the most “medieval”formezavailable to the poet. Although there has been much helpful work on both medieval romance and dream vision, I believe we can get a better sense of the Pearl poet’s use of these genres by focusing on what the poems...

  11. WORKS CITED
    WORKS CITED (pp. 205-218)
  12. INDEX
    INDEX (pp. 219-222)
Michigan State University Press logo