Daniel Apollon
Claire Bélisle
Philippe Régnier
Series: Topics in the Digital Humanities
Copyright Date: 2014
Published
by: University of Illinois Press
Pages: 400
https://www.jstor.org/stable/10.5406/j.ctt6wr6r8
Book Description:
Drawing upon ethnography, musical analysis, and phenomenological theory, Stephen Amico argues that the homosexual body in post-Soviet Russia rejects both the Soviet aversion to physical pleasure and the Western politicization of sexuality. Instead, both listeners and performers turn to popular music for a framework within which they can experience an embodied sense of sexuality, the self, and intersubjectivity.
eISBN: 978-0-252-09628-0
Subjects: Language & Literature, Technology, Library Science