LAURENCE A. RICKELS
Copyright Date: 2008
Edition: NED - New edition
Published
by: University of Minnesota Press
Pages: 232
https://www.jstor.org/stable/10.5749/j.ctttt1hf
Book Description:
Laurence A. Rickels offers analyses of Ulrike Ottinger’s films, as well as her photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger’s defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global.
eISBN: 978-0-8166-5642-4
Subjects: Film Studies