Claire Sponsler explores the intertwined histories of bodily subjectivity, commodity culture, and theatricality in late medieval England. In a fascinating consideration of popular drama in the period from 1350 to 1520, she argues that many types of performances during this time represented cultural evasions of the imposition of disciplinary power. “Lucidly written and powerfully presented, the arguments of Drama and Resistance will have profound impact on future study of medieval performance and will undoubtedly be important as well to medievalists across many disciplines.” --Kathleen Ashley, University of Southern Maine
Subjects: Language & Literature
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