Drawing on a combination of queer and feminist theory, ethical criticism, and psychoanalytic, historicist, and textual criticism, Diane Watt focuses on the language, sex, and politics in Gower’s writing. She demonstrates that Gower engaged in the sort of critical thinking more commonly associated with Chaucer and William Langland and contributes to modern debates about the ethics of criticism.
Subjects: Language & Literature
Table of Contents
You are viewing the table of contents
You do not have access to this
on JSTOR. Try logging in through your institution for access.