In this imaginative new work, Adam Lowenstein explores the ways
in which a group of groundbreaking horror films engaged the
haunting social conflicts left in the wake of World War II,
Hiroshima, and the Vietnam War. Lowenstein centers Shocking
Representation around readings of films by Georges Franju,
Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He
shows that through allegorical representations these directors'
films confronted and challenged comforting historical narratives
and notions of national identity intended to soothe public
anxieties in the aftermath of national traumas.
Borrowing elements from art cinema and the horror genre, these
directors disrupted the boundaries between high and low cinema.
Lowenstein contrasts their works, often dismissed by contemporary
critics, with the films of acclaimed "New Wave" directors in
France, England, Japan, and the United States. He argues that these
"New Wave" films, which were embraced as both art and national
cinema, often upheld conventional ideas of nation, history, gender,
and class questioned by the horror films. By fusing film studies
with the emerging field of trauma studies, and drawing on the work
of Walter Benjamin, Adam Lowenstein offers a bold reassessment of
the modern horror film and the idea of national cinema.
Subjects: Film Studies
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