Hölderlin after the Catastrophe
Hölderlin after the Catastrophe: Heidegger -- Adorno -- Brecht
Robert Savage
Series: Studies in German Literature Linguistics and Culture
Volume: 24
Copyright Date: 2008
Published by: Boydell and Brewer,
Pages: 256
https://www.jstor.org/stable/10.7722/j.ctt81vsq
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Book Info
Hölderlin after the Catastrophe
Book Description:

Toward the end of the Second World War, the works of the great German poet Friedrich Hölderlin were heavily exploited by Nazi propaganda as a source of spiritual strength for the war-weary German people. Once the fires had burned out, scholars attempted to absolve Hölderlin of any responsibility for his wartime (mis)appropriation. Only a few saw that his work would have to be reread in the light of the iniquities that had been said and done in his name. This book examines how Hölderlin was taken up by three such thinkers, among the most influential and controversial of their time: Martin Heidegger, Theodor W. Adorno, and Bertolt Brecht. It extrapolates from their writings on the poet three irreconcilable paradigms of reception -- conversation, polemic, and citation -- that are of significance for the broader project of working through the tarnished German cultural legacy after 1945. In each case, Hölderlin is examined as the occasion for salvaging that legacy after, from, and in view of the catastrophe. This first full-length study of Hölderlin's postwar reception will be of interest to students and scholars working in the fields of German literature, European philosophy, the politics of cultural memory, and critical theory. Robert Savage is ARC Postdoctoral Fellow in the Center for Comparative Literature and Cultural Studies, Monash University, Melbourne, Australia.

eISBN: 978-1-57113-798-2
Subjects: Language & Literature
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  1. Front Matter
    Front Matter (pp. i-vi)
  2. Table of Contents
    Table of Contents (pp. vii-viii)
  3. Foreword
    Foreword (pp. ix-xii)

    What can a German Understand about Hölderlin?”¹ The Hölderlin experts to whom this question was addressed had no doubt been expecting a more diplomatic overture from the man who posed it, Pierre Bertaux, when they invited him to appear as guest speaker at their 1968 conference. That he should begin his speech by casting doubt on their own interpretative credentials amounted to a slap in the face. In itself, the fact that they were being lectured by a foreigner on this, the most German of poets, was unusual enough. It was a moot point and, since the early twentieth century,...

  4. Acknowledgments
    Acknowledgments (pp. xiii-xiv)
  5. Note on References
    Note on References (pp. xv-xvi)
  6. Introduction: Hölderlin after the Catastrophe
    Introduction: Hölderlin after the Catastrophe (pp. 1-31)

    In November 1946, Günter Eich published his poem “Latrine” in Der Ruf (The Call), a forum established earlier that year for young, disillusioned, and often embittered German writers, many of them returning veterans. The third stanza reads:

    Irr mir im Ohre schallen

    Verse von Hölderlin.

    In schneeiger Reinheit spiegeln

    Wolken sich im Urin.¹

    [Mad in my hearing echo

    Verses by Hölderlin.

    In snowy pureness, mirrored,

    Clouds in the urine are seen.]

    The poem’s narrator thinks of verses by Hölderlin while squatting over a makeshift open-air latrine. Specifically, he thinks of verses from Hölderlin’s “Andenken,” for the fourth and final stanza...

  7. 1: Conversation: Heidegger, “Das abendländische Gespräch”
    1: Conversation: Heidegger, “Das abendländische Gespräch” (pp. 32-95)

    Martin Heidegger’s reception of Hölderlin’s poetry is characterized as much by its remarkable constancy and longevity as by its metamorphoses, discontinuities, and occasional U-turns. The leitmotif in the conversation is easy enough to identify: the conviction he announced in 1934, at the beginning of his first lecture course on Hölderlin, that the poet’s “still space-time-less work has already overcome our petty historical affairs and founded the inception of another history, that history that commences with the struggle for the decision about the arrival or flight of the god,” will never waver.¹ It animates the two other lecture courses devoted to...

  8. 2: Polemic: Adorno, “Parataxis”
    2: Polemic: Adorno, “Parataxis” (pp. 96-149)

    Theodor W. Adorno’s speech had been announced under the title “Parataxis: Zur philosophischen Interpretation der späten Lyrik Hölderlins” (Parataxis. On the Philosophical Interpretation of Hölderlin’s Late Poetry). The renowned social theorist was scheduled to deliver the keynote address at the 1963 convention of the Hölderlin Society, held for the first time in a divided Berlin, before an audience that included some of the finest literary critics in the German-speaking world. Although Adorno was not known as a Hölderlin specialist, it was hoped that he might be able to open up a fresh perspective on familiar terrain, to illuminate some of...

  9. 3: Citation: Brecht, Die Antigone des Sophokles
    3: Citation: Brecht, Die Antigone des Sophokles (pp. 150-193)

    On 31 October 1947, while Heidegger was still laboring on his “Abendländisches Gespräch,” Bertolt Brecht boarded a plane from New York bound for Paris, never to set foot on American soil again. He was glad to be leaving. The six years he had spent there had been lean ones, embittered first by the sense of impotence and frustration shared by every exile, then by the wave of anti-Communist hysteria that followed upon the euphoria of Allied victory. On the day before his flight he had been summoned to Washington by the House Committee for Un-American Activities to face questions about...

  10. Epilogue: Three Anniversaries
    Epilogue: Three Anniversaries (pp. 194-214)

    The jubilee of a renowned cultural figure may be likened to the long-expected appearance of a comet in the night sky. Much as the comet’s approach transforms astronomy, however briefly, from a boffinish pursuit into a popular pastime, so the commemoration of an author ordinarily discussed by none but academics has the potential to bring him to the attention of a much broader reading public. As each celestial body shoots into view, it excites a flush of interest conditioned by the knowledge that decades may elapse before it again blazes across the firmament. Luther, Bach, and Nietzsche years follow one...

  11. Works Cited
    Works Cited (pp. 215-230)
  12. Index
    Index (pp. 231-234)
  13. Back Matter
    Back Matter (pp. 235-235)