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Journal Article

Debussy's Trois Chansons de Bilitis: Song, Opera, and the Death of the Subject

Stephen Rumph
The Journal of Musicology
Vol. 12, No. 4 (Autumn, 1994), pp. 464-490
DOI: 10.2307/763972
https://www.jstor.org/stable/763972
Page Count: 27

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Topics: Narrative poetry, Opera, Musicology, Pianos, Art songs, Nightingales, Musical register, Vocal music, Melody
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Debussy's Trois Chansons de Bilitis: Song, Opera, and the Death of the Subject
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