Italica

Vol. 73, No. 2, Summer, 1996

Film
https://www.jstor.org/stable/i220811

Table of Contents

  1. Front Matter
    https://www.jstor.org/stable/479360
  2. Federico Fellini's Intervista or the Neo-Baroque Creativity of the Analysand on Screen (pp. 157-172)
    Cristina Degli-Esposti
    DOI: 10.2307/479361
    https://www.jstor.org/stable/479361
  3. Il principe e il conte (pp. 173-194)
    Lino Miccichè
    DOI: 10.2307/479362
    https://www.jstor.org/stable/479362
  4. Pasolini e la parola sacra: il progetto del "San Paolo" (pp. 195-214)
    Francesca Parmeggiani
    DOI: 10.2307/479363
    https://www.jstor.org/stable/479363
  5. The Allegory of Repression from Teorema to Salò (pp. 215-232)
    Thomas E. Peterson
    DOI: 10.2307/479364
    https://www.jstor.org/stable/479364
  6. Caro Diario and the Cinematic Body of Nanni Moretti (pp. 233-247)
    Millicent Marcus
    DOI: 10.2307/479365
    https://www.jstor.org/stable/479365
  7. Albanitaliamerica: viaggio come sordo sogno in Lamerica di Gianni Amelio (pp. 248-261)
    Antonio Vitti
    DOI: 10.2307/479366
    https://www.jstor.org/stable/479366
  8. Reviews

  9. Brief Notices (pp. 292-294)
    https://www.jstor.org/stable/479383
  10. Bibliography of Italian Studies in North America (pp. 295-311)
    Paolo A. Giordano
    https://www.jstor.org/stable/479384
  11. Back Matter (p. 312)
    https://www.jstor.org/stable/479385