American Music

Vol. 23, No. 3, Autumn, 2005

https://www.jstor.org/stable/i388280

Table of Contents

  1. Front Matter
    https://www.jstor.org/stable/4153055
  2. Cowell's Sliding Tone and the American Ultramodernist Tradition (pp. 281-323)
    Nancy Yunhwa Rao
    DOI: 10.2307/4153056
    https://www.jstor.org/stable/4153056
  3. George Crumb's Channels of Mythification (pp. 324-354)
    Victoria Adamenko
    DOI: 10.2307/4153057
    https://www.jstor.org/stable/4153057
  4. "A Faltering Step in a Basically Right Direction": Richard Rodgers and All Points West (pp. 355-376)
    Felix Cox
    DOI: 10.2307/4153058
    https://www.jstor.org/stable/4153058
  5. "Come Sail Away" and the Commodification of "Prog Lite" (pp. 377-394)
    Kevin Holm-Hudson
    DOI: 10.2307/4153059
    https://www.jstor.org/stable/4153059
  6. Book Reviews

  7. Multimedia Reviews

  8. Correspondence

  9. Back Matter
    https://www.jstor.org/stable/4153065