Writing Majors
Writing Majors: Eighteen Program Profiles
GREG GIBERSON
JIM NUGENT
LORI OSTERGAARD
Copyright Date: 2015
Published by: University Press of Colorado,
Pages: 236
https://www.jstor.org/stable/j.ctt1288061
Search for reviews of this book
Book Info
Writing Majors
Book Description:

The writing major is among the most exciting scenes in the evolving American university.Writing Majorsis a collection of firsthand descriptions of the origins, growth, and transformations of eighteen different programs. The chapters provide useful administrative insight, benchmark information, and even inspiration for new curricular configurations from a range of institutions.A practical sourcebook for those who are building, revising, or administering their own writing majors , this volume also serves as a historical archive of a particular instance of growth and transformation in American higher education. Revealing bureaucratic, practical, and institutional matters as well as academic ideals and ideologies, each profile includes sections providing a detailed program review and rationale, an implementation narrative, and reflection and prospection about the program.Documenting eighteen stories of writing major programs in various stages of formation, preservation, and reform and exposing the contingencies of their local and material constitution,Writing Majorsspeaks as much to the "how to" of building writing major programs as to the larger "what," "why," and "how" of institutional growth and change.

eISBN: 978-0-87421-972-2
Subjects: Language & Literature
You do not have access to this book on JSTOR. Try logging in through your institution for access.
Log in to your personal account or through your institution.
Table of Contents
Export Selected Citations Export to NoodleTools Export to RefWorks Export to EasyBib Export a RIS file (For EndNote, ProCite, Reference Manager, Zotero, Mendeley...) Export a Text file (For BibTex)
Select / Unselect all
  1. Front Matter
    Front Matter (pp. i-iv)
  2. Table of Contents
    Table of Contents (pp. v-vi)
  3. FOREWORD
    FOREWORD (pp. vii-x)
    Sandra Jamieson

    This is a significant collection of essays, both in the narratives that provide a historical archive of sorts and in the descriptions of programs, courses, and institutional politics. Building from theoretical examination of the rapidly growing writing major, it offers concrete examples of the range and variety of majors at a cross-section of colleges and universities, and I predict that it will quickly become an essential resource for the field of writing studies. The chapters add to three equally important strands of the conversation about the writing major, what current majors look like, how they developed their current shape, and...

  4. WRITING MAJORS INTRODUCTION
    WRITING MAJORS INTRODUCTION (pp. 1-8)
    Jim Nugent

    In the absence of historical reflection, it’s easy to presume that our curricula, our programs, our department configurations, and even our disciplines have always been the way they are today. Conservatives, in particular, like to depict higher education as an unchanging monolith and a creaky institution that is unable to adapt to new developments on the economic, political, and global scenes. They suggest opening higher education up to the free market, encouraging private ownership and profit, and “ making higher education accountable” through quantifiable metrics. However, historical reflection shows us that the millenniaold enterprise of academia is surprisingly adroit and...

  5. PART I: WRITING DEPARTMENTS
    • 1 DEPAUL UNIVERSITY’S MAJOR IN WRITING, RHETORIC, AND DISCOURSE
      1 DEPAUL UNIVERSITY’S MAJOR IN WRITING, RHETORIC, AND DISCOURSE (pp. 11-21)
      Darsie Bowden

      The Department of Writing, Rhetoric, and Discourse (WRD) separated from DePaul’s English department on July 1, 2007. WRD assumed immediate oversight of the first-year writing program and the minor in professional writing, which, at the time, had twenty-six declared students. In the course of the next year, we established a master’s in WRD, annexed an existing master’s in new media studies (an interdisciplinary degree already directed by a WRD faculty member and staffed primarily by WRD faculty), and created a TESOL (Teachers of English to Speakers of Other Languages) certificate program. Finally, in March of 2010, we submitted a proposal...

    • 2 RESHAPING THE BA IN PROFESSIONAL AND TECHNICAL WRITING AT THE UNIVERSITY OF ARKANSAS AT LITTLE ROCK
      2 RESHAPING THE BA IN PROFESSIONAL AND TECHNICAL WRITING AT THE UNIVERSITY OF ARKANSAS AT LITTLE ROCK (pp. 22-35)
      Barbara L’Eplattenier and George H. Jensen

      The bachelor of arts in professional and technical writing (PTW) is housed in the Department of Rhetoric and Writing at the University of Arkansas at Little Rock (UALR). Not surprisingly, the curriculum of the PTW major is related to the character of UALR and the history of the department.

      UALR is a metropolitan university located in central Arkansas that offers fifty-three baccalaureate degrees, forty-four graduate degrees, two law degrees, and eight doctorates. UALR began as a community college—thus, it has a history of serving nontraditional students. The institution also takes its identity as a metropolitan university seriously. Faculty members...

    • 3 THE UNIVERSITY OF RHODE ISLAND’S MAJOR IN WRITING AND RHETORIC
      3 THE UNIVERSITY OF RHODE ISLAND’S MAJOR IN WRITING AND RHETORIC (pp. 36-46)
      Libby Miles, Kim Hensley Owens and Michael Pennell

      The writing and rhetoric major at the University of Rhode Island (URI), a medium-sized public research university, is housed in the Department of Writing and Rhetoric. Our history is bumpy and windy: what began as an innovative standalone program in the early 1970s folded into a program within the Department of English in 1979, but in 2003 again separated into a stand-alone program, which was granted full departmental status in 2010. Our major was approved in 2007, and has since provided intellectual vitality and pedagogical variety for our department.

      Since initiating the major, we have attempted to learn from it...

    • 4 REFORMING AND TRANSFORMING WRITING IN THE LIBERAL ARTS CONTEXT: The Writing Department at Loyola University Maryland
      4 REFORMING AND TRANSFORMING WRITING IN THE LIBERAL ARTS CONTEXT: The Writing Department at Loyola University Maryland (pp. 47-61)
      Peggy O’Neill and Barbara Mallonee

      The Department of Writing at Loyola University Maryland is a vibrant, full-fledged academic unit that offers two major programs of study and a minor, administers the university writing center, and supports a host of co-curricular activities, including a writing academic honor society, three literary magazines, and a student writing workshop. The vertical curriculum spans rhetoric, composition, professional writing, and creative writing and includes courses that support university-wide initiatives, such as service learning, diversity, honors, interdisciplinary minors, and special first-year programs. Faculty members regularly contribute to both the university community and their scholarly communities.

      The current state of the department is...

    • 5 FIFTEEN YEARS STRONG: The Department of Writing at the University of Central Arkansas
      5 FIFTEEN YEARS STRONG: The Department of Writing at the University of Central Arkansas (pp. 62-72)
      Carey E. Smitherman, Lisa Mongno and Scott Payne

      The Department of Writing at the University of Central Arkansas (UCA) has been a standalone department or program since 1996. Although it is currently expanding programs in rhetoric and composition, creative writing, and linguistics, the department itself was established through many obstacles and reconfigurations. This profile shares histories and reflections from the founding faculty and administrators, illustrates the growth (and growing pains) the department has experienced since its inception, and looks forward to the plans we have made for the future.

      UCA began considering the role of rhetoric and composition in the English department as early as 1979. During the...

    • 6 OAKLAND UNIVERSITY’S MAJOR IN WRITING AND RHETORIC
      6 OAKLAND UNIVERSITY’S MAJOR IN WRITING AND RHETORIC (pp. 73-84)
      Lori Ostergaard, Greg Giberson and Jim Nugent

      Oakland University is a doctoral research university (DRU) situated north of Detroit, Michigan. The vast majority of its 19,000 students are commuters, with no more than 2,000 students living on campus. The Department of Writing and Rhetoric (WRT) was founded as an independent department in 2008 and, as of 2013, consists of nine tenure-track faculty; three full-time, job-secured special instructors; and approximately forty-five other contingent faculty. Prior to the founding of the new department, the writing program existed as part of the Department of Rhetoric, Communication, and Journalism (RCJ). Although it took many different forms prior to RCJ and WRT,...

    • 7 EMBRACING THE HUMANITIES: Expanding a Technical Communication Program at the University of Wisconsin–Stout
      7 EMBRACING THE HUMANITIES: Expanding a Technical Communication Program at the University of Wisconsin–Stout (pp. 85-97)
      Matthew Livesey and Julie Watts

      In 2000, the bachelor of science in technical communication became the University of Wisconsin–Stout’s first (and only) undergraduate writing major in its 100+ year history. UW–Stout is a comprehensive, career-focused polytechnic university located in Menomonie, Wisconsin, with a current undergraduate enrollment of over 8,000 students. Only three years after it was initiated, our technical communication program, which then enrolled eighty-five students, was the eighth largest out of over 100 programs of its kind in the country (Rainey, Dayton, and Turner 2005). However, enrollment in our program suffered a steady decline to fifty-six students in 2005, where enrollment numbers...

    • 8 BUILDING A WRITING MAJOR AT METROPOLITAN STATE UNIVERSITY: Shaping a Program to Meet Students Where They Are
      8 BUILDING A WRITING MAJOR AT METROPOLITAN STATE UNIVERSITY: Shaping a Program to Meet Students Where They Are (pp. 98-105)
      Laura McCartan and Victoria Sadler

      At Metropolitan State University our undergraduate writing majors fall into three separate BA programs: creative writing; screenwriting; and technical communication and professional writing. For this writing program profile, we follow the lead of the CCCC Committee on the Major in Writing and Rhetoric by distinguishing between a writing major and a fine arts writing major. Consequently, this chapter will focus solely on our Technical Communication and Professional Writing (TCPW) major (a professional/rhetorical writing major as identified by Balzhiser and McLeod 2010).

      Many students at our university, including our TCPW majors, have “blue collar” literacies (not validated by traditional academics), such...

    • 9 WRITERS AMONG ENGINEERS AND SCIENTISTS: New Mexico Tech’s Bachelor of Science in Technical Communication
      9 WRITERS AMONG ENGINEERS AND SCIENTISTS: New Mexico Tech’s Bachelor of Science in Technical Communication (pp. 106-118)
      Julie Dyke Ford, Julianne Newmark and Rosário Durão

      While other technical communication (TC) programs may exist on the margins of a larger English department, the TC program at New Mexico Tech is theonlyprofessional degree-granting program offered from our Communication, Liberal Arts, Social Sciences (formerly named Humanities) department. Since our BS in TC is one of the only non-engineering or “hard” sciences programs within our entire institution, we certainly could have ended up on the margins. However, efforts by current and former faculty have ensured us a solid place in our institution, in large part as a consequence of the recognizable success of our students upon graduation...

    • 10 WRITING AS AN ART AND PROFESSION AT YORK COLLEGE
      10 WRITING AS AN ART AND PROFESSION AT YORK COLLEGE (pp. 119-134)
      Michael J. Zerbe and Dominic F. DelliCarpini

      The professional writing major at York College of Pennsylvania began accepting students in 2002. York College is a private, secular, mid-sized institution of 4,900 students located in a small, Mid-Atlantic city between Baltimore and Harrisburg. York offers pre-professional programs in education, nursing, and business, as well as other fields and programs in the humanities, the sciences, and the arts. About half of the students are from Pennsylvania, with most of the rest from surrounding states: Maryland, Delaware, New Jersey, and New York. Housed in the English Humanities Department, the professional writing major shares institutional space and resources with majors in...

  6. PART II: TRADITIONAL ENGLISH DEPARTMENTS
    • 11 THEY COULD BE OUR STUDENTS: The Writing Major at Texas Christian University
      11 THEY COULD BE OUR STUDENTS: The Writing Major at Texas Christian University (pp. 137-149)
      Carrie Leverenz, Brad Lucas, Ann George, Charlotte Hogg and Joddy Murray

      As a cohort of faculty in rhetoric and composition, we share here our experience in shaping a writing major at Texas Christian University (TCU), a secular, private university of about 10,000 students in the country’s fourth-largest metropolitan area. Our experiences were marked by both serendipity and strategy as we built upon existing resources, made the most of opportunities, and listened to our students—all the while respecting our colleagues and our own limitations. Beyond simply sharing our story, we hope that our insight can assist others who want to develop a major that accounts for, and emerges from, local contexts....

    • 12 TWO STRIKES AGAINST: The Development of a Writing Major at West Virginia State University, an Appalachian, Historically Black College
      12 TWO STRIKES AGAINST: The Development of a Writing Major at West Virginia State University, an Appalachian, Historically Black College (pp. 150-162)
      Jessica Barnes-Pietruszynski and Jeffrey Pietruszynski

      Located in the heart of Appalachia and created by the Morrill Act of 1890, West Virginia State University’s (WVSU) mission has always been a bit different than other, more traditional land-grant universities. The school was established as the West Virginia Colored Institute, and was charged with the education of black students. Early education of the students was based on the pedagogical style of Booker T. Washington, providing “real world” application of knowledge while instructing the first generation of freed men and women in a trade. Although this educational perspective was beneficial in the construction of the university as students created...

    • 13 “WHAT? WE’RE A WRITING MAJOR?”: The Rhetoric and Writing Emphasis at the University of Wisconsin–La Crosse
      13 “WHAT? WE’RE A WRITING MAJOR?”: The Rhetoric and Writing Emphasis at the University of Wisconsin–La Crosse (pp. 163-174)
      Marie Moeller, Darci Thoune and Bryan Kopp

      The University of Wisconsin–La Crosse (UW–L) is a regional campus in southwestern Wisconsin. Enrolling approximately 9,000 undergraduates and 1,000 graduate students, UW–L is part of the Wisconsin state higher education system. The English department at UW–L currently houses twenty-four tenured and tenure-track faculty and eleven instructors. Of those tenured and tenure-track members, sixteen are literature specialists, seven are rhetoric and writing specialists (including two creative writers), and one is a linguistics specialist. Instructors in our department teach primarily general education writing courses, though several do teach literature general education requirements on an as-needed basis. Students can...

    • 14 A MATTER OF DESIGN: Context and Available Resources in the Development of a New English Major at Florida State University
      14 A MATTER OF DESIGN: Context and Available Resources in the Development of a New English Major at Florida State University (pp. 175-189)
      Matt Davis, Kristie S. Fleckenstein and Kathleen Blake Yancey

      Implemented in August 2009, the Editing, Writing, and Media (EWM) track in our undergraduate English major currently enrolls over 700 students. Its success, we believe, stems from a curricular design that is both contextually sensitive and multi-resourced, drawing on (a) knowledge of and practice in twenty-first century literacies, (b) programmatic strengths of the department, and (c) experience with the university system. Our chapter describes the design of our EWM track, noting particularly the changes made between the first (failed) proposal and the second proposal leading to the major. We also highlight the importance of contextual sensitivity in both programmatic revisions...

    • 15 RENEGOTIATING THE TENSIONS BETWEEN THE THEORETICAL AND THE PRACTICAL: The BA in Professional Writing at Penn State Berks
      15 RENEGOTIATING THE TENSIONS BETWEEN THE THEORETICAL AND THE PRACTICAL: The BA in Professional Writing at Penn State Berks (pp. 190-204)
      Laurie Grobman and Christian Weisser

      How do we teach the art of writing in everyday life? What do we owe students who need to find employment after graduation? Practical strategies, discursive techniques, and set routines may meet market demands for slick, persuasive communications, but how will learning such strategies equip young professionals with critical insight to face tough ethical problems? These questions have been central to the creation and continued development of the BA in Professional Writing at Penn State Berks. As we will explain, these questions have not led us to any easy or quick answers, but they have, in our opinion, helped create...

    • 16 FROM “EMPHASIS” TO FOURTH-LARGEST MAJOR: Learning from the Past, Present, and Future of the Writing Major at St. Edward’s University
      16 FROM “EMPHASIS” TO FOURTH-LARGEST MAJOR: Learning from the Past, Present, and Future of the Writing Major at St. Edward’s University (pp. 205-217)
      John Perron, Mary Rist and Drew M. Loewe

      Founded in 1885 by the Congregation of Holy Cross, St. Edward’s University is a private, Catholic, liberal arts institution in Austin, Texas. St. Edward’s serves about 5,300 students of diverse backgrounds. The curriculum emphasizes critical thinking, moral reasoning, small classes, opportunities to study abroad, and internships. The university has grown dramatically since 1999, when its current president arrived.

      Writing and rhetoric as an undergraduate major at St. Edward’s University has a history dating back to 1975, when a writing emphasis was added to the English major to complement the literature emphasis. The English writing and rhetoric (ENGW) major is now...

    • 17 COLUMBIA COLLEGE’S ENGLISH MAJOR: Writing for Print and Digital Media
      17 COLUMBIA COLLEGE’S ENGLISH MAJOR: Writing for Print and Digital Media (pp. 218-227)
      Claudia Smith Brinson and Nancy Lewis Tuten

      Columbia College offers coeducational graduate and evening undergraduate programs, but at the heart of this institution is a private, residential, four-year liberal arts college for approximately 900 women. The college was founded in 1854 in Columbia, South Carolina, and is affiliated with the United Methodist Church. With a student–faculty ratio of 12:1, Columbia College ranks among the top-performing institutions in the country in the National Survey of Student Engagement (2011; NSSE). We have students from twenty-three states and twenty countries.

      In 2008, the English department chair and the newly hired writing track coordinator realized that our writing program—an...

    • 18 SEEKING GROWTH THROUGH INDEPENDENCE: A Professional Writing and Rhetoric Program in Transition at Elon University
      18 SEEKING GROWTH THROUGH INDEPENDENCE: A Professional Writing and Rhetoric Program in Transition at Elon University (pp. 228-240)
      Jessie L. Moore, Tim Peeples, Rebecca Pope-Ruark and Paula Rosinski

      In 2007, two of the coauthors of this chapter published a theoretical piece referencing the development of the professional writing and rhetoric (PWR) concentration within the English major at Elon University—a private, mid-sized (5,000 undergraduates), liberal arts university in central North Carolina—as a way to reflectively theorize program development. In this article, two sets of terms—“chronos/kairos” and strategy/tactic—were used as a heuristic for understanding the development of our specific program, but, more generally and significantly, the heuristic was presented as a framework for understanding the development of programs across institutional contexts. As we wrote then, “What...

  7. Afterword FINDING THE BIGGER PICTURE What Have We Learned?
    Afterword FINDING THE BIGGER PICTURE What Have We Learned? (pp. 241-248)
    Greg Giberson

    Since the publication of my volume (with Tom Moriarty)What We Are Becomingin 2010, I have been asked the same basic question by many people looking to develop writing majors at their institutions: “What does a writing major look like?” At first glance it seems like a pretty straightforward question. Deb Balzhiser and Sue McLeod attempt to answer a similar question, among others, in their article “The Undergraduate Writing Major: What Is It? What Should It Be?” The dramatic differences among programs represented in this book provide more support for Balzhiser and McLeod’s (2010, 422) analysis that “we have...

  8. APPENDIX: Table of Institutional Data
    APPENDIX: Table of Institutional Data (pp. 249-257)
  9. CONTRIBUTORS
    CONTRIBUTORS (pp. 258-264)
  10. INDEX
    INDEX (pp. 265-266)