Kentucky Folkmusic

Kentucky Folkmusic: An Annotated Bibliography

BURT FEINTUCH
Copyright Date: 1985
Pages: 128
https://www.jstor.org/stable/j.ctt130jqr3
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    Kentucky Folkmusic
    Book Description:

    In 1899, a fundraising program for Berea College featured a group of students from the mountains of eastern Kentucky singing traditional songs from their homes. The audience was entranced. That small en-counter at the end of the last century lies near the beginning of an unparalleled national -- and international -- fascination with the indigenous music of a single state.

    Kentucky has long figured prominently in our national sense of traditional music. Over the years, a diverse group of people -- reformers, enthusiasts, the musically literate and the musically illiterate, radicals, liberals, a British gentleman and his woman companion, amateurs, local residents, and academics -- have been sufficiently captivated by that music to have devoted considerable energy to harvesting it from its fertile ground, studying its various manifestations, and considering its many performers.

    Kentucky Folkmusic: An Annotated Bibliographyis a guide to the literature of this remarkable music. More than seven hundred entries, each with an evaluative annotation, comprise the largest bibliographic resource for the folkmusic of any state or region in North America. Divided into eight sections, the bibliography covers collections and anthologies; fieldworkers and scholars; singers, musicians, and other performers; text-centered studies; studies of history, context, and style; festivals; dance; and discographies, check-lists, and other reference tools. A subject index, an author index, and an index of periodicals provide access to the materials. From early hymnals and songsters to Kentucky performers of traditional music, the bibliography is a comprehensive guide to music which has for many years been one of the major emblems of American traditional music.

    eISBN: 978-0-8131-6296-6
    Subjects: Music

Table of Contents

  1. Front Matter
    (pp. i-vi)
  2. Table of Contents
    (pp. vii-viii)
  3. Acknowledgments
    (pp. ix-x)
  4. Introduction
    (pp. xi-xx)

    It is difficult for me to remember when I first linked the terms “folkmusic” and “Kentucky,” because to me, just as to many Americans, the two have long seemed in some way connected. For better or worse, Kentucky figures prominently in our national sense of what folkmusic is and where we find it, even though by now we know that virtually every group, every locality and region, sings. Before I was an academic, I was a folkmusic enthusiast; Kentucky’s powerful musical traditions were at least broadly familiar to me years before I’d ever set foot in the state—years, in...

  5. Collections and Anthologies
    (pp. 1-26)
  6. Fieldworkers, Collectors, and Scholars
    (pp. 27-32)
  7. Singers, Musicians, and Other Performers
    (pp. 33-50)
  8. Text-Centered Studies
    (pp. 51-60)
  9. Studies of History, Context, and Style
    (pp. 61-70)
  10. Festivals
    (pp. 71-74)
  11. Dance
    (pp. 75-79)
  12. Discographies, Checklists, and Other Specialized Reference Tools
    (pp. 80-88)
  13. Index of Authors
    (pp. 89-94)
  14. Subject Index
    (pp. 95-102)
  15. Index of Periodicals Cited
    (pp. 103-105)