The Hello Delay
The Hello Delay
Julie Choffel
Copyright Date: 2012
Published by: Fordham University Press
Pages: 88
https://www.jstor.org/stable/j.ctt14brzmm
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Book Info
The Hello Delay
Book Description:

The Hello Delay asks what happens around the saying of a thing and the receiving. Inside and outside of our daily communications, there are events, there are silences, deja-vus, and intentions. These poems question the determined nature of our relationships to one another: What if this territory isn't familiar after all? I Will Whisper it to you so that someone else may hear it. whether or not it's heard by you, whether or not I hear it myself-that it is heard by a stranger. stranger and stranger. get out the fires and fire hoses, put away the stars. daybreak breaks into noon breaks into after, and after is a song, and singing makes you calmer. that's okay but what are they saying down the street and lost on you, lost on you, lost on you. In this human ecology, language is king. In this book, familiarity resides in memory or song, but perhaps nothing is so familiar as the experience of the present. What is it then to be present, when meaning persists among us? We are more than what we say and what we think, but these words are the lucite passages we travel to that aggregate. In this place where understanding means being wrong together or just pretending to be right, Choffel's poems honor the grandeur, the danger, and the mediocrity in manifesting what we make up as we go along. The Hello Delay might be experimental, but it is mostly experiential. It calls us out not to see how we will answer but to linger in the gaps of our refrain.

eISBN: 978-0-8232-6902-0
Subjects: Language & Literature
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Table of Contents
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  1. Front Matter
    Front Matter (pp. i-viii)
  2. Table of Contents
    Table of Contents (pp. ix-2)
  3. Serenade, or After Others
    Serenade, or After Others (pp. 3-6)
  4. Cardinal Sketch
    Cardinal Sketch (pp. 7-7)
  5. Table – Chair – Toy
    Table – Chair – Toy (pp. 8-8)
  6. Menagerie – Scenery – Suburb
    Menagerie – Scenery – Suburb (pp. 9-9)
  7. Heart – Code – Home
    Heart – Code – Home (pp. 10-10)
  8. Sinkhole – Sunspot – Parasol
    Sinkhole – Sunspot – Parasol (pp. 11-11)
  9. Snowman – Motor – Mammal
    Snowman – Motor – Mammal (pp. 12-12)
  10. The Rain Falls as a Cylinder
    The Rain Falls as a Cylinder (pp. 13-13)
  11. Synopsis
    Synopsis (pp. 14-18)
  12. Plant Life
    Plant Life (pp. 19-26)
  13. Mindful Or
    Mindful Or (pp. 27-27)
  14. Something Must Be Described
    Something Must Be Described (pp. 28-28)
  15. The Lighting
    The Lighting (pp. 29-30)
  16. The Beauties
    The Beauties (pp. 31-31)
  17. How You Do
    How You Do (pp. 32-34)
  18. Producing for a While
    Producing for a While (pp. 35-35)
  19. The Sorrows
    The Sorrows (pp. 36-37)
  20. Exposure Story
    Exposure Story (pp. 38-38)
  21. Post Script
    Post Script (pp. 39-40)
  22. If Anything
    If Anything (pp. 41-41)
  23. The Debriefing
    The Debriefing (pp. 42-46)
  24. This World Is the Other World
    This World Is the Other World (pp. 47-62)
  25. Part Golden, Part Hidden
    Part Golden, Part Hidden (pp. 63-63)
  26. Forthrightly and So, or Don’t You Know It
    Forthrightly and So, or Don’t You Know It (pp. 64-64)
  27. Can I Be a Part of Your We
    Can I Be a Part of Your We (pp. 65-66)
  28. Beside Ourselves
    Beside Ourselves (pp. 67-68)
  29. Public Service Announcement
    Public Service Announcement (pp. 69-69)
  30. If Everyone Came to Me
    If Everyone Came to Me (pp. 70-70)
  31. Who Doesn’t Want
    Who Doesn’t Want (pp. 71-71)
  32. I Was Asking
    I Was Asking (pp. 72-72)
  33. I Will Whisper
    I Will Whisper (pp. 73-73)
  34. Lay Down Some Tracks
    Lay Down Some Tracks (pp. 74-74)
  35. Afterword
    Afterword (pp. 75-76)

    It was my pleasure to read Julie Choffel’s rich and dimensional poems inThe Hello Delay. I kept thinking of the opposing terms “plain” and “fancy” as applied to American folk art. The poet uses domestic words that are contemporary but echo with women’s experienceas iffrom the past. There are plants, fabric, food, early telephones, parchment, “vitamin mineral ink.” She gathers the words into transparent, alive, and crystalline phrases—windows—and then uses these phrases like a sculptor to accrete spiritual and deep felt narratives, I want to say narrative plaints. Each phrase is a facet in a...

  36. Notes and Acknowledgments
    Notes and Acknowledgments (pp. 77-78)
  37. Back Matter
    Back Matter (pp. 79-80)
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