Intrigued by "texted" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and Patrick Chamoiseau's Solibo Magnificent (Martinique). Through an ethnomusicological perspective, Huntington argues in Sounding Off that the range of sounds -footsteps, heartbeats, drumbeats-represented in West African and Caribbean works provides a rhythmic polyphony that creates spaces for configuring social and cultural identities.Huntington's analysis shows how these writers and others challenge the aesthetic and political conventions that privilege written texts over orality and invite readers-listeners to participate in critical dialogues-to sound off, as it were, in local and global communities.
Subjects: Language & Literature, Music
Table of Contents
You are viewing the table of contents
You do not have access to this
on JSTOR. Try logging in through your institution for access.