Incense Tree
Incense Tree: Collected Poems of Louise Ho
With an Afterword by Douglas Kerr
Copyright Date: 2009
Published by: Hong Kong University Press
Pages: 188
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Book Info
Incense Tree
Book Description:

Louise Ho is a Chinese poet from Hong Kong who finds her feet in English. Since her first publications more than thirty years ago, her poetry collected here has been a reflection of the fortunes of the city and its people, their hopes and anxieties, their achievements, crises, dispersals and renewals. She is the leading English-language poet in Hong Kong, happy to work in a language that might be thought a colonial residue, and well versed in its poetic traditions, often making use and sometimes making fun of them. At times she uses Cantonese words or sounds within her English poems, and one of her goals is the creation of a space where the English literary language expresses as well as is incorporated into the local ethos, thus becoming almost a new hybrid idiom, which remains at the same time definitely English. Whether writing about home in Hong Kong, or travel and exile elsewhere, she is a sharp-eyed and often sardonic observer, with a gift for spare lyricism and a feeling for the ironies of history.

eISBN: 978-988-8052-40-0
Subjects: Language & Literature
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  1. Front Matter
    Front Matter (pp. i-iv)
  2. Table of Contents
    Table of Contents (pp. v-x)
  3. Acknowledgements
    Acknowledgements (pp. xi-xii)
    Louise Ho
  4. Sheung Shui Pastoral 1977
    • Hong Kong Riots I, 1967
      Hong Kong Riots I, 1967 (pp. 3-3)
    • Off the Train at Sheung Shui
      Off the Train at Sheung Shui (pp. 3-3)
    • Pop Song I: “At Home in Hong Kong”
      Pop Song I: “At Home in Hong Kong” (pp. 4-4)
    • Pop Song II: “I Am of Hong Kong”
      Pop Song II: “I Am of Hong Kong” (pp. 5-5)
    • Sheung Shui Pastoral
      Sheung Shui Pastoral (pp. 6-6)
    • Babies and Mothers (at Tai Po Train Station)
      Babies and Mothers (at Tai Po Train Station) (pp. 7-7)
    • Writing Is Bleak
      Writing Is Bleak (pp. 8-8)
    • Summer at Warwick
      Summer at Warwick (pp. 9-9)
    • Boston, First Impressions (and Therefore a Bit Raw)
      Boston, First Impressions (and Therefore a Bit Raw) (pp. 10-10)
    • The John Hancock from the Top of the Prudential
      The John Hancock from the Top of the Prudential (pp. 11-11)
    • To M.O.M.A.
      To M.O.M.A. (pp. 12-12)
    • Mountain of Wisdom
      Mountain of Wisdom (pp. 13-13)
    • Cherry Tree Wood
      Cherry Tree Wood (pp. 14-14)
    • A Confession
      A Confession (pp. 15-15)
    • O God, When Do You Find Me Guilty?
      O God, When Do You Find Me Guilty? (pp. 15-15)
    • Underdeveloped
      Underdeveloped (pp. 16-16)
    • I Hold My Past
      I Hold My Past (pp. 17-17)
    • Excreta Tauri (Intone the Title and Read the Rest at a Run)
      Excreta Tauri (Intone the Title and Read the Rest at a Run) (pp. 18-18)
    • Poetry Is Never of Emotion
      Poetry Is Never of Emotion (pp. 19-19)
    • The Sculpted Hand
      The Sculpted Hand (pp. 19-19)
    • Raw
      Raw (pp. 20-20)
    • When Tired and Sleepy
      When Tired and Sleepy (pp. 20-20)
    • Soliloquy of Light
      Soliloquy of Light (pp. 21-21)
    • Remonstrance and Reply
      Remonstrance and Reply (pp. 21-21)
    • Notes before Bedtime
      Notes before Bedtime (pp. 22-22)
    • Letter to My Brother
      Letter to My Brother (pp. 23-23)
    • Miniature Trees
      Miniature Trees (pp. 24-24)
    • On the Double
      On the Double (pp. 25-25)
    • Of Strawberries (From D. to A.)
      Of Strawberries (From D. to A.) (pp. 25-26)
  5. Local Habitation 1994
    • What’s in a Name
      What’s in a Name (pp. 29-29)
    • Hong Kong at the Crossroads
      Hong Kong at the Crossroads (pp. 30-30)
    • Towards University Station
      Towards University Station (pp. 30-30)
    • Home to Hong Kong
      Home to Hong Kong (pp. 31-31)
    • Canticle on a Drop of Water
      Canticle on a Drop of Water (pp. 31-31)
    • Living on the Edge of Mai Po Nature Reserve
      Living on the Edge of Mai Po Nature Reserve (pp. 33-33)
    • Hong Kong Riots II
      Hong Kong Riots II (pp. 34-35)
    • “Cloud Gate Dance Theatre”: Three Dances
      “Cloud Gate Dance Theatre”: Three Dances (pp. 36-37)
    • Remembering 4th June, 1989
      Remembering 4th June, 1989 (pp. 38-39)
    • Like Pilgrims
      Like Pilgrims (pp. 40-41)
    • Jamming
      Jamming (pp. 42-43)
    • First Stop: Frankfurt
      First Stop: Frankfurt (pp. 44-44)
    • Vase
      Vase (pp. 44-44)
    • City
      City (pp. 45-45)
    • The Blind Samurai
      The Blind Samurai (pp. 46-46)
    • In the Warm Glow
      In the Warm Glow (pp. 47-47)
    • Polite Conversation
      Polite Conversation (pp. 48-48)
    • Apple Tree
      Apple Tree (pp. 49-49)
    • A Bit of Luck
      A Bit of Luck (pp. 50-50)
    • Image
      Image (pp. 51-51)
    • Jade
      Jade (pp. 51-51)
    • Clip Clop
      Clip Clop (pp. 52-52)
    • Tombed-In
      Tombed-In (pp. 53-53)
    • Colours of Corot
      Colours of Corot (pp. 54-54)
    • Consider the Peppercorn
      Consider the Peppercorn (pp. 54-54)
    • Things Pentecostal
      Things Pentecostal (pp. 55-55)
    • Bronze Horse
      Bronze Horse (pp. 57-57)
    • Mother Has Just Turned Seventy
      Mother Has Just Turned Seventy (pp. 58-58)
    • Black Hole
      Black Hole (pp. 59-59)
    • Fragment
      Fragment (pp. 60-60)
    • Well-spoken Cantonese
      Well-spoken Cantonese (pp. 60-60)
    • Soliloquy of a White Jade Brooch
      Soliloquy of a White Jade Brooch (pp. 61-61)
    • After Yeats
      After Yeats (pp. 62-62)
    • Acrostics
      Acrostics (pp. 63-63)
    • Slow Rain
      Slow Rain (pp. 64-64)
    • Apprehension of Beauty
      Apprehension of Beauty (pp. 65-65)
    • For Foone, Brighton 1978
      For Foone, Brighton 1978 (pp. 65-65)
    • Discipline
      Discipline (pp. 66-66)
    • The Cold Keeps Me Out
      The Cold Keeps Me Out (pp. 67-67)
    • A Burning Inadequacy
      A Burning Inadequacy (pp. 68-68)
    • The Hind-wheel of a Double-decker Bus
      The Hind-wheel of a Double-decker Bus (pp. 68-68)
    • No Swan
      No Swan (pp. 69-69)
    • Prayer
      Prayer (pp. 70-70)
    • The Long Frown
      The Long Frown (pp. 71-71)
    • What Mother Taught Me
      What Mother Taught Me (pp. 72-72)
    • Three Men in a Lift, Not to Mention the Woman Who Didn’t Get In
      Three Men in a Lift, Not to Mention the Woman Who Didn’t Get In (pp. 73-74)
    • The Passionate Lovers
      The Passionate Lovers (pp. 75-75)
    • A Neighbour’s Tale
      A Neighbour’s Tale (pp. 76-76)
    • To Grandfather (Monsieur Emmanuel Allaye Chan)
      To Grandfather (Monsieur Emmanuel Allaye Chan) (pp. 77-77)
    • Desire
      Desire (pp. 78-78)
    • Once upon a Time
      Once upon a Time (pp. 78-78)
    • The Awful Belief
      The Awful Belief (pp. 79-79)
    • There Are No Monkeys Here
      There Are No Monkeys Here (pp. 80-81)
    • Time’s Pummelling
      Time’s Pummelling (pp. 82-82)
    • The Unknown Source
      The Unknown Source (pp. 82-82)
    • Stravinsky’s “Oedipus Rex”
      Stravinsky’s “Oedipus Rex” (pp. 83-83)
    • It’s Been Snowing
      It’s Been Snowing (pp. 83-83)
    • For Every Mask
      For Every Mask (pp. 84-84)
    • Unschooled
      Unschooled (pp. 84-84)
    • I Love the Child in Me
      I Love the Child in Me (pp. 84-84)
    • Soliloquy of a Madman
      Soliloquy of a Madman (pp. 85-86)
  6. New Ends, Old Beginnings 1997
    • Migratory
      Migratory (pp. 89-91)
    • Did You Know
      Did You Know (pp. 92-92)
    • On Seeing Promite on the Shelves
      On Seeing Promite on the Shelves (pp. 93-93)
    • Conversation
      Conversation (pp. 96-96)
    • January on the Gold Coast
      January on the Gold Coast (pp. 96-97)
    • Odd Couple
      Odd Couple (pp. 98-98)
    • Chat
      Chat (pp. 99-99)
    • Rambler
      Rambler (pp. 100-100)
    • Party
      Party (pp. 101-101)
    • The Australian O
      The Australian O (pp. 101-101)
    • Knocking at the Door of the Aboriginals
      Knocking at the Door of the Aboriginals (pp. 102-103)
    • Coomera Lines
      Coomera Lines (pp. 103-103)
    • At the Foot of the Mountain
      At the Foot of the Mountain (pp. 104-104)
    • Beginnings and Ends
      Beginnings and Ends (pp. 104-104)
    • Storm
      Storm (pp. 105-105)
    • Shadows
      Shadows (pp. 105-105)
    • Tree of Life
      Tree of Life (pp. 107-107)
    • End of Era
      End of Era (pp. 108-108)
    • Walking
      Walking (pp. 108-108)
    • Island
      Island (pp. 109-109)
    • Spirit of Place
      Spirit of Place (pp. 110-110)
    • Flags and Flowers
      Flags and Flowers (pp. 111-111)
    • Extension I
      Extension I (pp. 112-112)
    • Extension II
      Extension II (pp. 112-112)
    • A Good Year
      A Good Year (pp. 113-113)
    • One Hundred Days to Go
      One Hundred Days to Go (pp. 114-114)
    • Chek Lap Kok
      Chek Lap Kok (pp. 115-115)
    • Meeting
      Meeting (pp. 116-116)
    • Hopscotch down the Corridor
      Hopscotch down the Corridor (pp. 116-116)
    • Upon Hearing of a Friend’s Death (After Yeats)
      Upon Hearing of a Friend’s Death (After Yeats) (pp. 117-117)
    • Discomfort
      Discomfort (pp. 118-118)
    • My Crown Jewels
      My Crown Jewels (pp. 118-118)
    • Tilting
      Tilting (pp. 119-119)
    • Dr Hero Joh
      Dr Hero Joh (pp. 120-120)
  7. New Poems
    • Reflection
      Reflection (pp. 123-123)
    • I Sing of a Man
      I Sing of a Man (pp. 124-124)
    • Incense Tree Aquilaria sinensis
      Incense Tree Aquilaria sinensis (pp. 125-125)
    • Marching
      Marching (pp. 126-127)
    • Forty Years to Go
      Forty Years to Go (pp. 128-128)
    • Skeltonics
      Skeltonics (pp. 129-129)
    • Giants on the Land (Canada 2007)
      Giants on the Land (Canada 2007) (pp. 130-130)
    • Kindred Growth
      Kindred Growth (pp. 131-131)
    • How on Earth . . .
      How on Earth . . . (pp. 132-132)
    • TSANG Tsou-choi “The King of Kowloon”
      TSANG Tsou-choi “The King of Kowloon” (pp. 133-133)
    • A Veteran Talking
      A Veteran Talking (pp. 134-135)
    • La Reine Australienne
      La Reine Australienne (pp. 135-135)
    • Darkness at 4 p.m.
      Darkness at 4 p.m. (pp. 136-136)
    • Three Poems on a Painter’s Works
      Three Poems on a Painter’s Works (pp. 136-137)
    • Dance
      Dance (pp. 138-138)
    • Cock-a-doodle-doo
      Cock-a-doodle-doo (pp. 139-139)
    • About Turn
      About Turn (pp. 140-140)
    • Dusk
      Dusk (pp. 141-141)
    • Askew
      Askew (pp. 142-142)
    • Sounds
      Sounds (pp. 143-143)
    • Nests
      Nests (pp. 143-143)
    • Notes
      Notes (pp. 144-144)
    • Learning to Walk
      Learning to Walk (pp. 145-145)
    • A Poem Is an Object
      A Poem Is an Object (pp. 146-146)
    • A Poem Is Like
      A Poem Is Like (pp. 147-147)
    • Curtain Call
      Curtain Call (pp. 148-148)
    • Found Items
      Found Items (pp. 149-151)
    • The Other Day
      The Other Day (pp. 152-152)
  8. Afterword
    • Louise Ho: An Afterword
      Louise Ho: An Afterword (pp. 155-162)
      Douglas Kerr

      Here is one of the poems included in this collection, a favourite of anthologists.

      A Chinese

      Invited an Irishman

      To a Japanese meal

      By the Spanish Steps

      In the middle of Rome

      Having come from Boston

      On the way home.

      The poem attracts attention not on account of any intellectual complexity or emotional intensity, nor for any particularly original or beautiful use of language. Its appeal consists, I think, in an image or story of a Chinese cosmopolitanism, apparently available to Hong Kong people though still, in the 1970s when the poem was written, not much more than a dream...

  9. Appendices
    • Introductory remarks to “Sheung Shui Pastoral 1977”
      Introductory remarks to “Sheung Shui Pastoral 1977” (pp. 165-165)
      Helga Burger-Werle
    • Introduction to “Local Habitation” : Dialect without a Tribe
      Introduction to “Local Habitation” : Dialect without a Tribe (pp. 166-171)
      Ackbar Abbas
    • Introduction to “New Ends, Old Beginnings 1997”
      Introduction to “New Ends, Old Beginnings 1997” (pp. 172-176)
      Michael Hollington
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